I'm in awe. Lots of pictures on web page.

It was a match made in Heaven.

Patrick Acton loved working with his hands—and matchsticks were cheap to come by. These two were paired together thanks to long winters in Iowa during the 1970s; and what began as a hobby crafting old country barns and churches out of matchsticks launched Acton to worldwide fame. His matchstick milieu was thrown into the spotlight, garnering him his dream job with Ripley’s Believe It or Not! and even his own museum—Matchstick Marvels.

Now 70, Acton still works in the same old basement workshop he started in 40 years ago, but instead of building tiny replica barns, he’s making an entire fantasy world filled with wonders: a life-size flying locomotive made of a million matchsticks, a scaled-down Millennium Falcon, a two-headed dragon with matchsticks scales, castles galore, and the U.S. Capitol building. All these were crafted down to the last detail out of tiny, insignificant sticks of wood.

“The first thing I ever made was a little country church out of about 500 matchsticks and that just took, as I recall, a few days to make,” Acton told The Epoch Times. “I cut the tips off the sticks for 10 years … which was very tedious, and I probably would have given the hobby up.”

When Acton’s wife suggested he order the sticks plain, without sulfur heads, and buy them by the caseload, that was a game changer.

“She finally convinced me. I did write them a letter and it was just a matter of a few days; I got a letter back with quantities and prices,” he said. “All of a sudden, the dimensions of the things I was making them [went from a] few hundred or thousand sticks … to literally tens of thousands of sticks.”

It was the ultimate jigsaw puzzle. Acton was enthralled by the planning and preparation. Using tiny models as reference, he found the challenge of building up matchstick mockups a rewarding pastime. The wood was bonded with regular glue and through techniques he developed, such as sanding, he could create almost anything. Then reading James A. Michener’s “Chesapeake,” Acton was inspired by the highly-detailed descriptions of the stages of shipbuilding.

“My wife used to say, ‘Why do you feel this need to make him so big?’” Acton said. “Well, the bigger they are, the more accurate I can get and the more detail I can put in.”

So they got bigger. And still bigger. And the details multiplied.

Both the scale and realism of Acton’s creations were taken to the next level through innovation. Around 1985 his child asked him to make a Pinocchio out of matchsticks. He thought, “There’s no way that I can make Pinocchio because there’s too many shapes and curves.” But where there’s a will, there’s a way; Acton realized he could simply crimp the wooden sticks using needle-nose pliers to create curves to form just about any shape you can imagine.

Another innovation came as his ambitions grew industrial in scale. “I learned that I could build sheets out of matchsticks [by gluing] them directly to a sheet of plexiglass or acrylic,” he said. Thus, Acton now had his own matchstick plywood stockpile ready to tackle any project, no matter how huge.

He and Ripley’s had teamed up by then. The collaboration began with their seeing him in a magazine around 1990 and buying a few of his matchstick pieces. His models were such a hit that they eventually hired him full-time, which led to the creation of his largest model, a life-size “flying” locomotive.

“We came to an agreement in 2012 and I took an early retirement from the college and I started building for them,” Acton said. “They wanted a steampunk locomotive.”

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