#1 The Road to Dystopia by Rev 01.09.2013 12:57


September 1, 2013
The Road to Dystopia
By Susan D. Harris

With misty eyes, I will always remember my parents huddled at a garage sale, literally scraping together all the money they had to buy their youngest child a box set of encyclopedias and the classics of western literature. My mother convincing my father it was worth it, then my father proudly lugging the dusty boxes to the car. I squealed with delight and they felt fulfilled in their parental roles; though they were secretly perplexed by my enthusiasm.I was precocious in my reading, and was blessed to have parents that scrambled to meet the demands of my developing mind.

Before 10 years of age I had already commandeered my mother's set of Literature and Life books. I slipped away to ponder Montresors' revenge against Fortunato, and Prospero's deadly masquerade ball. By the 5th grade, my parents were notified that I was reading at a 1st year college level. At 15 I was reading Shakespeare -- not for class assignments, but because I enjoyed it. I regularly sent for free "sample" copies of everything I could get my hands on... the Economist, Smithsonian, the Atlantic Monthly, and National Review. To ensure continuous copies, I started to use a fake name. (Do not try this at home.) I kept this from my parents until the male alias I'd used to receive free samples received an official letter requiring him to report for registration with Selective Service. My sins had found me out, and I confessed to my parents, shuddering with fear that I would finally be arrested for wanting to read what I could not afford.

And so I brought with me a quietly humble, yet advanced level of comprehension when I embraced a circle of friends that would introduce me to new authors and new philosophies. Most important was Jean Paul Sartre. From there I strung along with the crowd like the last person in The Loco-Motion dance train, following them to Franz Kafka, Simone de Beauvoir, Ayn Rand and the philosophy of Hegel.

To me, it was like walking into the ominous ambience of Prospero's black room with the red windows. I tried to act enlightened. How anyone could prefer Being and Nothingness over Democracy in America confounded me. I listened in silence to passionate discussions of the genius of those authors. Inside I was squirming. It was, to be frank, the biggest bunch of nonsense I'd ever heard or read. When I reached college, I met a kindred spirit in Plato and a playful debater in Socrates. I returned again and again to the Bible of my youth, and a man named Jesus. Once embarrassed to voice my supposedly unlearned opinion on existentialist authors and the Hegelian dialectic, I eventually concluded that they had done to Western thought what Picasso had done to art: They'd rejected traditional techniques of perspective, jumbled everything up, and narcissistically expected everyone to proclaim their works revolutionary masterpieces.And throngs of their followers did just that; heaping praises upon kings that had no clothes.

I continued to collect books. One discarded library book I picked up on a whim was titled, SDS: The Rise and Development of the Students for a Democratic Society by Kirkpatrick Sale. I always had a nagging urge to figure out why American culture imploded in the 1960s, apart from the obvious influence of the Vietnam War. I could never get my head around the SDS or their motivations. (Little did I know they would provide the backbone of a Progressive movement that would overtake the country.)

There was a missing link and I couldn't put the chain together -- at least not until a contemporary of Sartre's named Saul Alinsky came into my life. Ah, now I'd come to what Ibsen called,"the serious part of the frolic." Alinsky's methods and Rules for Radicals took all the darkness of existentialism and turned it into a blueprint for action. (Hillary Clinton's thesis acknowledged that Alinsky himself accepted the label "existentialist.")

Eventually I watched an old 1967 episode of Firing Line where William F. Buckley Jr. interviewed Alinsky in a show titled, "Mobilizing the Poor." To conservative political geeks it was a nearly "orgasmic" (as Limbaugh would say) ideological smackdown as Buckley played the master chess player, anticipating his opponent's strategy and blocking every move. I nearly had a cigarette afterward.

Read more:http://www.americanthinker.com/2013/09/t...l#ixzz2df2zojPs

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